Depends on the tune but
I try and use classical and jazz chord progressions.
I don't believe the difference between all the different bassy genres really exists- not sure if that shows or not.
I use glitchy, stutter type effects (not just on breaks)
I only use synthmaster and I do all my sound design from scratch.
And I like to have a little bit of humour and playfulness in my music sometimes.
That's probably too many things...
Depends on the tune but
I try and use classical and jazz chord progressions.
I don't believe the difference between all the different bassy genres really exists- not sure if that shows or not.
I use glitchy, stutter type effects (not just on breaks)
I only use synthmaster and I do all my sound design from scratch.
And I like to have a little bit of humour and playfulness in my music sometimes.
That's probably too many things...
Either use dblue glitch or bounce, chop up and move the slices around.Is there a VST for that stutter effect? I use Logic and only recall seeing that in Ableton.
Either use dblue glitch or bounce, chop up and move the slices around.
When filtering basslines I sync the cutoff to the LFO.
You can thank me for that one later.
Genesis! You've changed DnB as we know it. Let's just hope the dubstep guys don't figure this one out.
:: sent from android with tapatalk ::
Haha, I think it's to late for that
It just goes to show how timeless the reese is. The wobble got done to max and every which way possible, in the end it's a played out and dead sound that was no life span.
But the reese has never gotten old. Even to the point of jumping from music scene to send. I'll never get sick of hearing a reese.... Never.
I'll never get sick of hearing a reese.... Never.
And that's YOUR biased view on a type of sound that is used on many different genres out there.
I'll put it again, in YOUR words: