- Joined
- Aug 14, 2008
well, i'm far from being an expert veteran. one thing i always do, from the first few bars through the final track is listen to it on multiple sound systems during multiple points in the production and adjust accordingly. at a minimum, i check progress on my monitors, my headphones, my car (with sub), my laptop speakers (yes! really! very telling. if you can get a track sounding good enough to come across accurately on laptop speakers you are really moving in the right direction), my earbuds my commute, the b&o sound system where i work, and at least one more - a friend's set up maybe.
i actually think it is very important to listen to your work on as many "sub-standard" systems as you can, since most people listen to music on systems like these (stock car stereo for example). if you can get your track to work on these kinds of setups, it will likely sound good all over.
Monitors are what you need, headphones are pretty shite for mixdowns really
not to say they cant be used well, cos they can.
I just need to study the various vst's and learn the details of mixing and mastering now.
Oh, and get myself a set of monitors!
I really cant begin to thank you all enough. I'm so new to the whole scene, and you have all made me feel extremely welcome here.
I have found it very daunting when listening to some of the fantastic proffessional sounding productions on here, wondering if I will ever be able to create anything like it myself!
I have now managed to get a shite load of samples downloaded, went out and purchased "The Dance Music Manual" by Rick Snoman, which has alot of helpful tips, plus a whole bunch of technical jaargon that I dont understand yet!
I just need to study the various vst's and learn the details of mixing and mastering now.
Oh, and get myself a set of monitors!