thats all well. but the idea behind the playcount is that the sooner you submit your track, the more count you will accumulate until the deadline. so not only there an incentive for handing your track in soon, but also the fact that there is no clear deadline for people to miss.
but like i said, its a tricky one. the phantom bumping of plays and teh fact that many wont bother listening more than once are clear issues. on the other hand, i worry that if we set a deadline and people dont make it, then the whole thing may flop again.
but lets say for now that we have a deadline, then we do a vote and then the best 5 go to the judges. would two weeks be enough ? one week for sound design/composition, one week for arrangement/mixdown. if we have 3 or 4 weeks, then maybe some would think they have too much time and postdate it. with only two weeks we can get people on it straight away.
you dig ?