dnbk0d3fr33k
dnbkodefreek
- Joined
- Jun 10, 2006
- Location
- Iowa, United States
Can someone explain to me the process of drum programming and what step is it in the production phase....
....I think that made sense
....I think that made sense
drum programming
- Thread starter dnbk0d3fr33k
- Start date
EQ each skice seperately.
infact reading that last thread [sook]
to each is own....everyone seems to make it happen with there own method. Sure maybe you want your tunes to sound like Subfocus/Pendulum, but as beginers?
just put your heart innit, you'll get it
infact reading that last thread [sook]
to each is own....everyone seems to make it happen with there own method. Sure maybe you want your tunes to sound like Subfocus/Pendulum, but as beginers?
just put your heart innit, you'll get it
Fes said:
uhhh......
no....
want my drums to be like
phace, c4c, kemal, teebee, break,
(and before anyone mentions it i do know
teebee doesnt really compress his beats)
check some of my tunes out...
www.myspace.com/sookdnb
dont really sound anything like
Fes said:
.... i hope
- Joined
- Feb 26, 2004
- Location
- Birmingham, UK
Drum sequencing is allllll about layering. Start off by working to make a basic beat, and slowly - and CAREFULLY - layer your snares, kicks, try to get the frequencies spread across the spectrum for a more even sound.
The intricate little inbetweeny-sounds (hihats, shuffles, incidental hits etc) are what give the rhythm texture and variation, and that's when you can go nuts and zoom right to 1/16th beat level and slightly nudge hihats to add a bit of syncopation.
I've not done anything like that for a long time now, and tbh I'm feeling the need to go nuts and make a track with an incredibly-detailed drum sequence. Trick is, getting the right samples to start with
The intricate little inbetweeny-sounds (hihats, shuffles, incidental hits etc) are what give the rhythm texture and variation, and that's when you can go nuts and zoom right to 1/16th beat level and slightly nudge hihats to add a bit of syncopation.
I've not done anything like that for a long time now, and tbh I'm feeling the need to go nuts and make a track with an incredibly-detailed drum sequence. Trick is, getting the right samples to start with
Dru-Stylus
Member
- Joined
- Jun 8, 2006
xen said:
I find the best syncopations come from even subtler nudges. like delay a ghost snare by a dotted 1/64th or some shit. If you line up a classic funk break on a grid you'll definitely see some major unquantized shit going down that often is just a few ms off beat. Makes all the difference in the world tho.
