I saw this tutorial from Emperor and he uses izotope ozone on the master the whole time...As far as i know limiting your master is not a good idea but he made a sick track out of it.Anyone here producing with a limiter on the master?
As far as i know limiting your master is not a good idea
go to 07:10 and listen what he says.
I think actually he did mix that tune into the mixer while making it. A lot of people do as far as i know. When bouncing out premasters it obviously has to be addressed but theres no reason not to while tracking or for a rough thing to play out.
the track is finished, that is why there is a limiter on the master, he is not saying that he mixes into a limiter or puts one on before making any sounds, just that the limiter is on the master, which is not unusual on a finished track....he isnt building a track from scratch, just breaking down the project file for a finished track to show you whats going on
i saw a video by mind vortex where they said they start off with Ozone on the master channel with the generic d&b master preset as a sort of pre-master, then they start making their track. i don't think i'd like to do it that way but there's no right or wrong way. their reasoning was that it may alter the sound dramatically so why not start off with it on the master channel and make your song according to how it sounds. rather than slapping it on last, it alters the sound and you have more editing to do from that point of view. i see what they're saying but i like working with more raw sounds to start and refine them little by little. but then, i suck awful at mastering.
Yep, that blew my mind that they did that. The problem it seemed for them was that when they tried to solo different elements with Ozone on, it didn't sound quite right because they were used to hearing everything mixed through the limiter.
audio puts camelphat then ozone on the master before he starts working
if it works, then fine, but I very much doubt that Emperor started learning production with a limiter on the master bus, and no one else should either, if you dont understand how to balance a track without one, then you will never learn properly....after all production isnt just about making over compressed mid-range Wow bass and huge percussion
I saw this tutorial from Emperor and he uses izotope ozone on the master the whole time...As far as i know limiting your master is not a good idea but he made a sick track out of it.Anyone here producing with a limiter on the master?
I saw this tutorial from Emperor and he uses izotope ozone on the master the whole time...As far as i know limiting your master is not a good idea but he made a sick track out of it.Anyone here producing with a limiter on the master?
if it works, then fine, but I very much doubt that Emperor started learning production with a limiter on the master bus, and no one else should either, if you dont understand how to balance a track without one, then you will never learn properly....after all production isnt just about making over compressed mid-range Wow bass and huge percussion