You are right, in that you must find a balance, where the mix sounds great on anything it is played back on - that is a far more important point, than the make or price tag of the monitors in question
although, the difference between KRK's, especially the 6inch driver model, and other monitors, is actually far greater than you might imagine, and is probably why you feel that 50hz is so powerful, because a 6inch driver cannot produce, say 35hz, at the same pressure as 50hz. KRK's sure do kick hard I agree, but the times i've used them (8inch model), i've been left longing for the detail of my 3-way full range cabs
get urself a sub and some bass traps (sub is pointless without bass traps, if you want detail), ur enthusiasm for sound tells me, that u will find the world of frequencies it will open up, to be massivly exciting
Definitily bro! And from what I know I know and have learned, I have learned basically exactly EVERY single thing there is to know about frequency, now acoustics, and other stuff such as what to do with that said frequency im still improving, But it DAMN sure helps to know what frequency sounds like in its purest form. Acoustics, I have NOTHING of in my room haahhaa and technique and skill im for DAMN SURE improving on even still. But once I fully learned how frequency works... I think I did actually shed a tear... HAHA! Yeah the 6"s are really nice! Not that much more difference from a KRK to a proffesional system, except proffesional is much clearer.
I definitely totally understand bro! Yeah krk's i consider like midline quality. Being really great and accurate but it is what you pay for! And its not really even bad in any ways! Thats why it helps to know physics of sound and how energy works, so you can truly in reality work on ANY system with no change to your mixdown because you know how that certain speaker works, what it lags, what it doesnt, etc!To learn frequency you need absolutely No theorums, no math equations, no textbooks neceesary Thats how I learned over the course of like 4-5 years of straight learning and practice, and im still learning every single day! By practice, and observations!
It also helps to learn physics.. no not with a textbook, but drop an apple, drop a pencil, observe how gravity as one example works. Play with frequencies while looking at it in a spectrograph, see how much slower the vibration gets as you lower the frequency, or how higher and tighter you make it as you go up frequencies!
God, frequency is such a beautiful thing! Time to go work on some dnb
I mean my whoring of the entire 50hz frequency spectrum is because thats just my personal preference, but I actually have SEVERAL songs that go beyond 50, all the way to 80, and just being from 60-80. So its really to each their own on whatever song they are building, but general rule of thumb is your bass regions are in fact accurately speaking, 0-80hz anything beyond is just too much and too tight for the system to handle and for your bass to even be dynamic anymore. Of course you would want to cut off 20hz.
Now look Some basses to me especially just the rumble are like this to me:
(Cuz i luv to stay in that 20-50 regions like a baws.. Teehee!) haahaha
40-50hz= your chest pressure bass, the rumble that shakes and vibrates the entire dance floor.
~35-40 = some body for the entire sub But not too much!
~20-35 = Your widest body of bass frequenc. It adds that extra padding to your bass making it a fully solid and full bodied bass.
Again thats just one example that I use alot of the time with a difference in the actual bass regions per different song. Its not all the same! Just an example though <3