- Joined
- Jul 9, 2013
- Location
- Melbourne
That Perez remix is deadout anyway
Way to suck the fun out of something
The politics I have no opinion on
Way to suck the fun out of something
The politics I have no opinion on
If you remix a tune its only right to let the label and artist know about it first. Whether its good (iyo) or different from the original is totally irrelevant, and giving it away for free or for sale without consent is a pisstake.
https://www.facebook.com/permalink.php?story_fbid=1611203539201225&id=100009347821762&comment_id=1611280915860154&reply_comment_id=1611292542525658&comment_tracking={"tn":"R9"}let me clear something up,alix sent me remix we were thinking what project should it go on,before we had a chance to make a choice he puts it up as a free download,without calling or asking me,obviously i was pissed at that ....so we thought might as well put it on ep as he has put it up for free then the fassyhole trys to go online and start talking greasy #championwasteman
Who decides if a remix is good? For the record I actually like the remixI disagree. If Perez' remix would have been shit Clayton wouldn't of been arsed. Only issue here is, it's a decent remix and money could have been made.
Not surprised Perez decided to put the track out for a freebee rather than going into any form of discussions about money with Hardware, given the reputation they have.
Can't really have a go at Alix Perez for this. I wonder how many times Clayton has asked permission for his artists to use the Amen Break? An he will have make money off those tracks.
Who decides if a remix is good? For the record I actually like the remix
I suppose reading comprehension is quite difficult from down there kissing Perez' ass:-
Bootleg was approved, giving it out for free was a mistake but could've been handled privately, what's not OK is to bitch on social media about the label wanting to put out your approved remix that THEY own the rights to. If you can't understand this, you need to go back to school or something.
He gave it away for free, not that he needed to remix the tune, not that he needed to even put it out in any way, as it surely didn't help him in achieving anything, but he did, for your pleasure. You should be grateful...
You have completely missed the point.That kinda sorts out the issue some ppl were pointing out that he should have contacted the label. Apparently, he did.
You may as well be right, we cannot know for sure what happened, and at the end of the day Clayton remains, by publicly rambling, as you and others have said, not at all professional or respectful in these matters.Skipped that part, my bad. And tbh, I wouldn't take Clayton's word for that. Might as well send it to them years ago and since he didn't receive any answer, he decided to put it out for free. That kinda sorts out the issue some ppl were pointing out that he should have contacted the label. Apparently, he did. Plus it's kinda funny how some people are viewing this and basically the whole scene nowadays. We are still claiming to be an underground movement, at least some part of it and flagship a few producers who stand their ground...and then they come and take hundreds/thousands of pounds for playing out and what not. After all, and to agree ironically with one of the comments under Clayton's status, it's not really about the love anymore. So can I sell this fkin remix or what? Can I? Ok, I'll release it.
so now not only must clayton (or any producer/label owner) be happy with anyone remixing any of his backcatalog. he must be grateful.
should he be grateful if anyone remixes his labels music and releases it without consent? or just if you personally like the remix/er?
You have completely missed the point.
He was not given a response.
You are assuming that not getting a response is consent to do what you like, which is completely ridiculous.
Its not a huge issue, I just find it odd to come into a thread and claim this situation is another reason why clayton is a dickhead, its totally bizarre.
1) I was talking about you (fans of good music in general), not Clayton.
2) And you are just completely ignoring all the points being repeated all over this thread. This has been done in drum & bass (electronic music) for ages. It is what it is. Once again, you're not asking if the label is ok when you play their tune in your mix either etc. etc. If it's really about the music first, who the fuck cares if it comes out for free or on a label? Apparently someone, who needs more drama and money.
3) It could have been solved much more politely from both sides. If Clayton wanted, he could have avoided all this cringey drama easily, but no. So yeah, it serves as a proof he's a dickhead.
What i think of the tune is irrelevant.
Its no ones right to release the tune again or any remixes without the consent from those involved with the original tune.
It really is this basic.
I mean, you can do it and its likely no one will sue or do much apart from moan (even tho they are within their right to do so), but its a dickhead move to presume that they want you to put it out, or that you don't even care if they do or not.
And then to call the rights holder a dickhead after this is done is off base.
Do you not think label owners and producers should have say in what is released with their own name on it?
So anyone can do a 'remix' of anything (which basically means anything from totally switching the tune up, to adding a cowbell, or just moving the sequence around) and release it without getting consent and everyone should be happy about this, and even grateful, because people have done bootlegs in the past? and if the copyright holder disagrees they are a dickhead. Its ridiculous.
People will do it anyway, but to then to call the rights-holder a dickhead for not being in complete support of this everytime it happens is nonsensical.
Yeah, I might not like the remix and yeah, I'd be pissed if someone added a cowbell and sold it without even asking me, but if that someone would give it away for free, I'd be totally ok with that.
The way I see it, I don't know why someone who has fuck all to do with the whole effort of putting together a tune should come across all yelling
Instead, he should be grateful that the original artist even gave enough fuck to pass him the rights to his own creation in the first place (and the one who did the remix gave enough fuck to send it to him first).
Again, to repeat what I've mentioned above, I have a lot of respect for the effort labels put into releasing music, but frankly, in the best case scenario, there wouldn't be any of them needed.