Cool, its sounding better
couple things though,
that vox sample is way too far forward in the mix, make the reverb wetter and bigger (bring the dryness way down). IMO it should sound like she's singing from the other side of a very large room, whereas right now she sounds like she's in your ear
the twinkly stuff sounds good but should be quieter imo
id keep the reece in for the section starting at 0.54, maybe modulate a couple parameters so its got some life in it. check you dont have freq clashes near the top end of the reece (i mean the harmonic buzzy sounding freq range) and then maybe give that freq range a little wide boost
personally id shorten the release on those synth stabs, but they do sound good
and then put some stereo imaging on the synth stabs, vox and twinkly stuff