Great! I've always tried to make stuff in this busy complex reese style but with no luck - your's sounds nice and clean though. IMO snare could have more 150Hz, but that's just a taste thing.
On a more philosophical note, I find that when I complete some wicked complex automations I'm tempted to rinse and repeat. Information theory suggests that the perception of the listener will be dulled as this onslaught continues; in other words, as they are able to make sense of it more quickly based on what they've already learned they don't have to focus their attention. Soooooo, my only suggestion would be to insert the odd longer reese note now and then in the beginning (a brief moment of less complexity, even silence) so that the listener has to refocus their attention - they won't know what's coming next! You do introduce new sounds but they seem to come over the top of the reeses - let them take over, like briefly putting your head in a different room of music at a party, then back to the other.
Your second drop is a great example of this kind of restraint - sure you could have made it crazy like the beginning but you switched it up and dropped it funky like, which will surprise the dancefloor and make them refocus their attention.
Hope I can get to making something in this style soon. I absolutely love the psychedelic feel to it. And I'll play this one out if I get a chance.
- J.P.