the thing that i really like about Sub-focus's production is that it's always really accessible, what i mean is that from whatever walk of DnB you can cram a Sub-focus tune into your set and it wont seem out of place. although most of his tunes don't stand out in a sort of "Wow, it's that Sub-focus tune!!" way they are useful as a gap filler or from transcending from the jump-up chavstep sort of stuff to the harder part of your set.
Not being funny, but if he's on Ram then well in for earning Andy C's respect!