uhm sort of, i just recreated the b-line from that track. i couldnt get it to sound as warm as Break's though
i used NI Massive:
1) i used a spectrum analyser (SPAN) to see that Break's b-line was peaking at 80, 55 and 65hz
2) i opened Massive, loaded a sin wave and messed around with notes between C2 and E3 to find the 3 that played at those freqs (D#3, G#2, B2)
3) i put a LFO on the amp knob
4) i lowpassed it at 90hz
5) i ran it through 2 FX slots of Flux Bittersweet II (free VST) with the same settings for both: slow, -100%, mode: center, period: 120ms, output: +12)
the Bittersweet II plugins really gave it some power
anyway, like i said, it wasnt as warm as Break's, but he's better than i am
(and may have used hardware)