Routing together all the elements that make up your drums

Discussion in 'Production' started by marcelkennard, Aug 18, 2011.

  1. marcelkennard

    marcelkennard Storms comin in Annie

    Joined:
    May 30, 2008
    Messages:
    578
    Likes Received:
    8
    Location:
    Brighton
    Personally I've found a formula that works quite nicely and am pretty happy with it, I thought I'd share it, as havn't shared much of my own ideas yet, just learning from others.

    I start with tracks ready for kicks, snares, ghost hits, and breaks/percussion, for which I highly recommend using rex files in a sampler- in my case the exs24.
    I process all of these tracks purely with subtractive EQing, and transient shaping
    I then start routing. I do this by changing the output of the kick tracks to the input of my kick bus, the snares to a snare bus, the ghost hits to a ghost bus, the breaks and percussion to a percussion bus.
    With all of these groups, I will separately process, using further eq and compressors etc.
    I then change the outputs of all of these buses to route them all to my DRUMS bus.
    Of course I apply some processing to the drums bus too, filtering eqing and compression etc etc.
    I then set the drums bus to NO OUTPUT. This allows me to use the sends on the drums bus channel to split the frequencies.
    I create 2 sends and have them both at the same level - 0.0 in the case of logic.
    I send to 2 different buses I label Mono and Stereo.
    On the Mono bus I use only Logics Multipressor and Solo the first frequency band and set the band to range from 0 to about 300 HZ.
    I make sure the Mono bus is also actually operating in MONO lolzzzzzzzz
    Then basically just do the opposite for the stereo- multipressor, solo all the bands above 300 hz and operate in stereo.

    Anyone got any other interesting methods?
     
  2. DjQuash

    DjQuash New Member

    Joined:
    Aug 18, 2011
    Messages:
    3
    Likes Received:
    0
    Kiks to kik bus

    snares to snare bus - Transient design in playlist & compression, both on the individual hits & the bus

    Percussion to percussion bus - compression + saturation & placement

    Kik bus & Snr bus to group - enhancement / compression if needed

    Kik + Snr group & percussion bus to DRUMZ Bus - turn up snare and squash back in with bus compressor.
     
  3. miszt

    miszt BASSFACE Royale

    Joined:
    Dec 5, 2005
    Messages:
    2,945
    Likes Received:
    358
    Location:
    London
    I use Ableton Drum Racks, this is essntially a group of channels with hits on their own channels

    Usually I will have lots of diffrent racks, first rack is Kick and Snare, 2nd rack Hi-hats, maybe a 3rd with Hi-hats, and a 4th with other percussion

    all of those get grouped up (routed to one bus), then depending on the sound I will add Parallel Limiting & Compression

    I always group my percussion up together and compress it together
     
  4. t0rben

    t0rben Member

    Joined:
    Aug 16, 2011
    Messages:
    50
    Likes Received:
    1
    dunno if it fits in this thread but how would you send an individual slice of a drum rack to a return track?
    i was thinking of doing a detour trough another audio track but it wouldn't even let me edit the "audio to" field..

    maybe you can help? :)
     
  5. Urquelle

    Urquelle New Member

    Joined:
    Aug 19, 2011
    Messages:
    22
    Likes Received:
    0
    Little confusing set up IMO :D If i would want some effect chain limited to one frequency range, i`d record the part with effects or one after another.
    This way i have my basic set midi triggered, and some parts sliced up effect wise on another audio track. no need to route all the things. And i have the flexibilty i need,
    are there any cons to this workflow?