Never done it until I was preparing a track to be played that same night - I freaked, feeling like it sounded dry and lacked cohesion, so I started slapping room reverb, fully dampened, on ALL of the drums, from kick to hi-hat. I was A/B 'ing with Spor's Powder Monkey at the time and just couldn't think of another way to get the wash of sound that this mofo cranks out so effortlessly. It seemed to help, I guess. Is there a right way to do this? Thanks, J.P.