DnB producing for a newbie

and makes death metal on music paper 180bpm, when in the 4/4 world the bpm is 300 +

Since when death metal is set to a 300+ BPM? At 300bpm, it becomes impossible for a human beign to play, without computer aid (at least, I've never seen someone playing effectively an entire song as this rate). That's why you have grindcore bands with BPM range that go as far as 900BPM: they use drum machines.

Stop bragging about FL Studio quantization, or anything else. You're just ruining everybody's days here, man.
 
Since when death metal is set to a 300+ BPM? At 300bpm, it becomes impossible for a human beign to play, without computer aid (at least, I've never seen someone playing effectively an entire song as this rate). That's why you have grindcore bands with BPM range that go as far as 900BPM: they use drum machines.

Stop bragging about FL Studio quantization, or anything else. You're just ruining everybody's days here, man.

drummers have no say in the matter, if you write this tune down on paper, they would be using 1/64 bars, in the world of techno the BPM would be under speedcore and over 300 bpm

 
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music is the same in every DAW, and on paper, and how all VSTi`s work with the droplists of bar timing from 1/2 -> 1/64 to sync it with the rest of the music and BPM

and the same with the quantize droplist if you free play something on a keyboard, then you quantize it to snap all the notes to the timing grid your using
 
He tried to do the same on other threads, man. It's hopeless.

It's barry badman from DOA, he loves him some hardcore, and that's about it. I think he should be at least hell-banned from the Production forum or other forums where the discussions are actually supposed to be relevant to anything. I think he can stay in Waffle tho, imo.
 
It's barry badman from DOA, he loves him some hardcore, and that's about it. I think he should be at least hell-banned from the Production forum or other forums where the discussions are actually supposed to be relevant to anything. I think he can stay in Waffle tho, imo.

Yeah, that's what I think too, man. He just hijacked this thread. We were all helping the op, until he showed here.
 
you all hi jacked it with your same old think you run it shit, drummers and guitarists, all slap and old their notes, todo velocity kills, the standard 1/16 drop option in FL studio is only 1/16 and on the beat sequncer, you will have to use event graphs if your a "real" musician, and if you click on the wrong pixel, your whole graph will nodoubt be messed up
 
you all hi jacked it with your same old think you run it shit, drummers and guitarists, all slap and old their notes, todo velocity kills, the standard 1/16 drop option in FL studio is only 1/16 and on the beat sequncer, you will have to use event graphs if your a "real" musician, and if you click on the wrong pixel, your whole graph will nodoubt be messed up

this would make a good signature.
thanks for the lols
 
the irony being that he was never........zeen again!







I earned the funnie title.

Horatio_Caine.jpg
so Caine of you, mister funnie!
 
How many of these questions here did you answer, DNBA SUCKZ?

What lap top to buy - get a desktop PC
What software is easiest to start off on - FL Studio, is best all round, although event graphs are shit if your a real musician
What sort off speakers to get - it does`nt matter, cheap monitors are just hifi speakers
And any other equipment i mite need - some VSTi`s to go with the multithreading of a desktop PC and using FL Studio as a 100% virtual/hardware midi DAW like everyone else if you want to get the most out of it
 
What lap top to buy - get a desktop PC
What software is easiest to start off on - FL Studio, is best all round, although event graphs are shit if your a real musician
What sort off speakers to get - it does`nt matter, cheap monitors are just hifi speakers
And any other equipment i mite need - some VSTi`s to go with the multithreading of a desktop PC and using FL Studio as a 100% virtual/hardware midi DAW like everyone else if you want to get the most out of it

CONGRATS! now, you're on topic.
 
you use sample on your wack laptops, they are like dual core intels if you have a i7, and all nano microns circuits they use and clock cycles per nano second, and laptop CPU are far slower then the desktop version which can have a 120mm fan put ontop and made using alot smaller nm circuits in the core
 
Nothing wrong with using a laptop for production, it's nice to be portable like that.

But I do agree that they have limitations, my mac mini has a mobile CPU and I was constantly maxing it out (Mobile i7 quadcore with hyperthreading as well.)
Now that I'm on an i7 4770k I can use way more complicated projects.

So I do say: Get a good desktop machine.
 
Using a gaming laptop for my production. Mostly because I fucked up my desktop with too much porn. It's an ASUS G55VW from 2012. I'm not into modern hardware, but used to be, and I have always assembled or modified my own desktops - I was completely against laptops, especially for music production. But this one has no real hardware limitation, using Cubase. It has an i7, 8 GB of RAM and I installed a 1TB HDD inside instead of the original 500 GB.
I sometimes have over a hundred tracks in a project with seperate plug-ins, mostly because I can't be arsed to resample much, and never have I experienced latency or other perfomance issues related to hardware.

The only limitations for electronic music production, that I see with a laptop is the lack of monitor-adjustment. Having only one monitor, 15", sometimes really suck when you have to switch from the outline/whateveryoucallit to the mixer or other areas. This is the only part where the GPU/video card comes in handy in music production: Most onboard GPUs only support one monitor (Depends on amount of output ports on your card).

I don't know if this was a useless rant for OP, but hope it was worth something. In reality, the only thing you should worry about now, is how your hardware will affect your production. Every DAW has its' strengths and weaknesses, and usually it's the user who sets them. I for instance love Cubase, although it took a while to learn compared to some other DAWs, and a lot of people use FL, and logic stating it is much simpler. Try them out for yourself. I believe FL studio, Cubase and Reason support trial versions.

And I just, after two years of playing around, got my first MIDI-keyboard with controllers. For the love of God/Skrillex (loljk), get one. It makes the creative process so much more intiuitive.
 
its a different world if you use FL, 99% of everything, VST/i`s, sliders, buttons, controls, mixer, etc , etc can be automated

you tweak a preset in a clone channel and just automate all the fancy stuff, no need for samples or making a boring cleché flat tune
 
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