- Joined
- Sep 13, 2010
Most of us know that you should High pass almost everything that might conflict with the bass and always cut off everything below 30hz. What about low passing everything?
Two songs ago, that I had made, I put a low pass cut off on everything at 6khz. The first thing I noticed was how clean putting the cut off at 6khz made the mix. The second thing I notice was everybody who left feedback asking "Where are the hats?"
At this point and time I know it is a good idea to start cutting everything off at the top. My question is, how high should things go? At what point in the freq spectrum do we not truly hear anymore, and at what point we can hear, just strains the ears? For my kick, snare, and bass 6khz seems like a good place to start with the cut off. For my hats somewhere between 13khz and 18khz seems like a good place to cut off.
Has any one tackled this question before and have any sound advice?
Thank You and Discuss
Two songs ago, that I had made, I put a low pass cut off on everything at 6khz. The first thing I noticed was how clean putting the cut off at 6khz made the mix. The second thing I notice was everybody who left feedback asking "Where are the hats?"
At this point and time I know it is a good idea to start cutting everything off at the top. My question is, how high should things go? At what point in the freq spectrum do we not truly hear anymore, and at what point we can hear, just strains the ears? For my kick, snare, and bass 6khz seems like a good place to start with the cut off. For my hats somewhere between 13khz and 18khz seems like a good place to cut off.
Has any one tackled this question before and have any sound advice?
Thank You and Discuss