- Joined
- May 14, 2009
- Location
- Belgium
http://www.krksys.com/product_rokit.php
http://www.behringer.com/EN/Products/B1031A.aspx
Basicly the same thing when viewing the specs, apart from the behringer specs that are a bit to high to be true imo. The watts aren't probably RMS but lets consider them equal?
Anyway, i'll be using these to mix, and probably to mix the audio for school assignments too (i'm a filmstudent), so if i'm using it for school i need a flat frequency curve. And neither one of the two have a curve displayed on their website. Urgh. They just say they have 'an incredibly flat curve'. Double urgh.
I'm a bit on a tight budget though, that's why i'm looking at the rp5 grade monitor...
Has anyone done an audiomix on the behringers yet? I'm quite reticent when it comes to the brand, they have made a lot of shit products to date, and you really never know if a new product should be considered absolute shit or proper product...
The thing that worries me the most is that on the back of the monitor, there are multiple switches and knobs, to adjust the EQ to compensate the akoustic errors of the placement or the entire room. This frightens me a bit, because i've always known that you should never ever adjust the akoustic errors of a room by changing the EQ of the monitors, because that makes an ever greater cliff between what you think the mix will sound like and what the real non coloured sound of it is.
Can't be that the engineers behind behringer don't know this right? So i'm thinking it's a monitor made to sound good in the first place, not correct. I mean what's with all the 'incredible flat curves' if they make you tamper with your EQ beyond belief?
I'll probably get the KRK's, unless you guys think i'm completely wrong in all this...
http://www.behringer.com/EN/Products/B1031A.aspx
Basicly the same thing when viewing the specs, apart from the behringer specs that are a bit to high to be true imo. The watts aren't probably RMS but lets consider them equal?
Anyway, i'll be using these to mix, and probably to mix the audio for school assignments too (i'm a filmstudent), so if i'm using it for school i need a flat frequency curve. And neither one of the two have a curve displayed on their website. Urgh. They just say they have 'an incredibly flat curve'. Double urgh.
I'm a bit on a tight budget though, that's why i'm looking at the rp5 grade monitor...
Has anyone done an audiomix on the behringers yet? I'm quite reticent when it comes to the brand, they have made a lot of shit products to date, and you really never know if a new product should be considered absolute shit or proper product...
The thing that worries me the most is that on the back of the monitor, there are multiple switches and knobs, to adjust the EQ to compensate the akoustic errors of the placement or the entire room. This frightens me a bit, because i've always known that you should never ever adjust the akoustic errors of a room by changing the EQ of the monitors, because that makes an ever greater cliff between what you think the mix will sound like and what the real non coloured sound of it is.
Can't be that the engineers behind behringer don't know this right? So i'm thinking it's a monitor made to sound good in the first place, not correct. I mean what's with all the 'incredible flat curves' if they make you tamper with your EQ beyond belief?
I'll probably get the KRK's, unless you guys think i'm completely wrong in all this...