JBL LSR 4300 vs. LSR 6300

d.o.b

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So I am going to buy new monitor speakers... I will buy one sub woofer and two mid-highs no matter if 4300 or 6300.I want to know if 6300 are better enough to pay half more money for them.They got one extra higher mids speaker,I love making crazy multi oscilator sounds,very thick... will it be better for this type of sound to have 6300 or 4300 are enough for real proffesional production.Both 4300 and 6300 subs are neodym 12" that go down to 27hz so I dont see big difference in them I think.Please,help me to pick best thing for money,thanks :)


will upload specs later,my internet is fucked and cant load JBLpro.com properly

---------- Post added at 18:32 ---------- Previous post was at 18:26 ----------

LSR 4300 subwoofer specs


Frequency Response : -6 dB: 27 Hz - 250 Hz
SPL / 1m
(Continuous/Peak) : 116 dB / 125 dB
Transducers : Low Frequency Model:
12 in (300mm) 432G
Self-shielded Neodymium
Motor Structure
Sensitivity +4 dBU, -10 dBV : 94 dB / 1 m
Amplification : 450 W
Digital Processing : 24 Bit, 96 kHz
Analog Inputs: L, C, R, L Surround, R Surround, LFE : 6 XLR , Two .25 in, Balanced, +4 dBU, -10 dBv, LFE +10 dB Gain
Digital Inputs : AES/EBU XLR IN, OUT: S/PDIF RCA IN/OUT
Data Connections : Harman HiQnet™ Network, USB
Weight : 29.5 kg (66 lb.)
Dimensions (H x W x D) : 502 mm x 406 mm x 489 mm (19.75 in x 16 in x 19.5 in)

LSR 4300 subwoofer features
450 Watts Amplification; 12” Low Frequency Transducer with magnetically-shielded Neodymium motor structure
RMC™ Room Mode Correction system analyzes and automatically compensates for room modes that can give a misleading impression of low frequency content at the mix position *
Six balanced XLR inputs with selectable +4dBU / -10 dBv sensitivity
AES/EBU and S/PDIF Digital plus analog LFE inputs
Comprehensive Bass Management System for professional surround sound production *
Harman HiQnet™ network protocol allows all settings to be controlled from the LSR4300 wireless remote control or LSR4300 Control Center Software *
* When used in a system with LSR4328P or LSR4326P Studio Monitors





LSR 6300 subwoofer specs

Frequency Response : (-6 dB) 28 Hz - 80 Hz
-10 dB : 26 Hz
Enclosure Resonance Frequency : 28 Hz
Low-To-High Crossover Frequency : 80 Hz (4th order electroacoustic Linkwitz-Riley)
Distortion, 96 dB SPL/ 1 m : N/A
Low Frequency (<80 Hz) : N/A
2nd Harmonic : <2%
3rd Harmonic : <1%
Maximum Continuous SPL : >112 dB SPL / 1 m (35 Hz - 80 Hz)
Maximum Peak SPL : >115 dB SPL / 1 m (35 Hz - 80 Hz)
Calibrated Input Sensitivity : XLR or 1/4"
Selectable -10 dBV +4 dBu, +8 dBu : 96 dB / 1 m
Power Nonlinearity (20 Hz - 200 Hz): : N/A
30 W : <0.4 dB
100 W : <1.0 dB
Power / Clip / Bypass Indicators : Green LED - normal operation
Amber LED - bypass mode
Red LED - Limiter activated
Low Frequency Topology : Class A-B, all discrete
Sine Wave Power Rating : 260 W (<0.5% THD into rated impedance)
THD + N, 1⁄2Power : <0.05%
AC Input Voltage : 115 VAC, 60 Hz (230VAC, 50 Hz – model LSR6312SP/230)
AC Input Voltage Operating Range : ±15%


LSR 6300 subwoofer features
Multi-format powered subwoofer for Dolby Prologic, AC-3, DTS and other surround formats.
RMC™ Room Mode Correction provides electronic control of response peaks due to room modes. RMC Calibration Kit included.
250 W continuous output power amplifier.
Sophisticated LCR bass management system.
Direct LFE input with selectable 10 dB input sensitivity.
Summed output allows chaining of multiple LSR6312SP for multiple subwoofer systems.
Differential Drive® technology with dynamic braking for extended low frequency response and low power compression.
High-density baffle for low resonance and stable inertial ground.
Linear Dynamics Aperture port design eliminates port turbulence and reduces port compression.
Reinforced enclosure and convenient mounting points for mounted installation



---------- Post added at 18:39 ---------- Previous post was at 18:32 ----------

LSR 4300 8" mid highs specs

Frequency Response : +/-1.5 dB: 50 Hz – 20 kHz
-3 dB: 43 Hz – 22 kHz
-10 dB: 35 Hz – 32 kHz
SPL / 1m
(Continuous/Peak) : 106 dB / 112 dB
Transducers : 8 in 438H / 1 in 431G;
Self Shielded Neodymium
Motor Structures
Sensitivity +4 dBu, -10 dBV : 96 dB / 1m
Amplification : 150 w/ 70 w
Digital Processing : 24 Bit, 96 kHz
Analog Inputs : XLR, 1/4” Balanced, +4 dBu, -10 dBV
Digital Inputs : AES/EBU XLR, S/PDIF RCA
Data Connections : Harman HiQnet™ Network, USB, RMC Mic
Weight : 13.1 kg (29 lb)
Dimensions (H x W x D) : 438 mm x 267 mm x 269 mm
17.25 in x 10.5 in x 10.6 in


JBL LSR 4300 8"mid highs features
Advanced Linear Spatial Reference design ensures flatter-off-axis response for greater clarity at the mix position
RMC™ Room Mode Correction provides electronic control of room modes.
Integrated bi-amplification with factory calibrated sensitivities.
Silk dome transducer with Elliptical Oblate Spheroidal waveguide for precise pattern control.
Magnetically shielded transducers minimize interference when used in close proximity to video monitors.
Reinforced enclosure and convenient mounting points for mounted installation.
Integral handles facilitate ease of positioning




LSR 6300 mid highs info

Input Impedance : 4 ohm (Nominal)
Anechoic Sensitivity : 93 dB/2.83 V/1 m
(90 dB/ 1 W/ 1 m)
Frequency Response : +1. -1.5 dB
(60 Hz – 22 kHz)
Low Frequency Extension : -3 dB: 54 Hz
-10 dB: 35 Hz
Enclosure Resonance Frequency : 33 Hz
Long Term Maximum Power (IEC265-5) : 200 W continuous average; 800 W peak
Recommended Amplifier Power : 150 W - 1000 W (rating into 4-ohm load)
High Frequency Control : 0 dB, -1 dB (2.5 to 20 kHz)
Distortion, 96 dB SPL, 1 m : 2nd Harmonic (below 120 Hz): <1.5%
3rd Harmonic (below 120 Hz): <1%
2nd Harmonic (120 Hz to 20 kHz): <0.5%
3rd Harmonic (120 Hz to 20 kHz): <0.4%
Distortion, 102 dB SPL, 1 m : 2nd Harmonic (below 120 Hz): <1.5%
3rd Harmonic (below 120 Hz): <1%
2nd Harmonic (80 Hz to 20kHz): <1%
3rd Harmonic (80 Hz to 20kHz): <1%
(<0.4%, 250 Hz - 20 kHz)
Power Nonlinearity : 30 W (20 Hz to 20 kHz): <0.4 dB
100 W (20 Hz to 20 kHz): <1.0 dB
Low-Mid Frequency Crossover : 4th Order Acoustic Linkwitz-Riley: 250 Hz
Mid-High Frequency Crossover : 4th Order Acoustic Linkwitz-Riley: 2.2 kHz

LSR 6300 mid highs features
Advanced Linear Spatial Reference design ensures flatter response at the mix position.
Differential Drive® technology with dynamic braking for extended low frequency response and low power compression.
Neodymium midrange with 2" voice coil and Kevlar™ cone material for extended frequency response and low distortion.
Titanium composite high frequency transducer with elliptical oblate spheroidal waveguide and damped polepiece.
High-Density baffle for low enclosure resonance and stable inertial ground
Linear Dynamics Aperture port design eliminates port turbulence and reduces port compression.
Magnetically shielded for use near video monitors.
Reinforced enclosure and convenient mounting points allow mounted installation.
Midrange/high frequency sub-baffle may be rotated by user for horizontal or vertical orientation.
Available as mirror image left and right models






whole 4300 setup will cost me 2700 euros,6300 is for 4000 euros.I will go for 4300 but I think 6300 might be worth the extra cash,what you think?
 
Last edited:

kama

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Depends on the room size a lot. You'd only need the big ones for a BIG room, like 5m x 7m or something. In a smaller room they're just overkill, you couldn't even bang them loud enough in a regular bedroom.

---------- Post added at 23:03 ---------- Previous post was at 23:00 ----------

TBH even monitors with an 8" woofer are overkill to a normal bedroom studio if you have a sub in there as well.
 

d.o.b

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Depends on the room size a lot. You'd only need the big ones for a BIG room, like 5m x 7m or something. In a smaller room they're just overkill, you couldn't even bang them loud enough in a regular bedroom.

---------- Post added at 23:03 ---------- Previous post was at 23:00 ----------

TBH even monitors with an 8" woofer are overkill to a normal bedroom studio if you have a sub in there as well.
I have 8" woofer right now and I think 12" would be perfect.I know what you mean and agree with it,bigger isnt allways better.I will use that 12" sub in place that you will call overkill but I will use it at rather low volumes for better clarity of sound.8" can be enough at half volume but 12" can do it at 25% power = less distortion = better sound. Thanks for for tips kama,I understand that this huge amount of photos and speaker information is boring so double thanks to you mate


I want to use bigger subwoofers for their ability to rattle whole room at say 30hz witch is freqency where similiar quality but smaller woofers hardly makes any noise even when you put your ear to port of sub.
 
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H*product

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if your getting these for studio monitors, at 4000 euros there's alot of other (prob better) options. if your getting them just to thump tunes then you could get a hk lucas rig for 1500ish and that'll piss your neighbors off a treat. i dunno, but i agree 100% with the 8" woofer being overkill.
 
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