I read production books so you don't have to! (Tips inside)

Discussion in 'Production' started by RevTech, Dec 8, 2012.

  1. RevTech

    RevTech Butthole=output transduce VIP Junglist

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    Production tricks

    Mic mechanical noise of playing synth to make it sound live

    Do a pitch envelope on a copy of a sound to give volume******

    Use gated reverb on a synth patch

    Use desser on drums

    Use vocoder with the carrier and modulator signal the same

    Use short delay with feedback

    Duplicate, phase shift, detune

    Pan a different waveform left and right and mix in with original.

    Use a compressor buss for kick and bass together
    A dark room with few early reflections provide acoustic depth

    For stereo, EQ on a graphic EQ the left with every odd band down and the other every even band down
    Pitch shift down a duplicate of a snare and add 100 perfect wet drum room reverb





    I've got moar if you'd like ;)
     
  2. ThePapa

    ThePapa Suffragette City.. VIP Junglist

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    How do you feel about the sampling of pets?
     
  3. RevTech

    RevTech Butthole=output transduce VIP Junglist

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    Massive sounds out of cat purring, cat's are made out of reece and fur so you know that shit will be dank
     
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  4. IV4

    IV4 DnBF Sheriff VIP Junglist

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    Lions are where its at.
     
  5. Innovine

    Innovine Active Member

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    i made a dnb album with farm animal noises instead of reese bass, but it was shit
     
  6. zrylc-x

    zrylc-x New Member

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  7. sam the dnb man

    sam the dnb man Variation VIP Junglist

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  8. RevTech

    RevTech Butthole=output transduce VIP Junglist

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    y u no like tips :(
     
  9. RUSSLA

    RUSSLA Glass Cobra VIP Junglist

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    ^ I'D LIKE MORE TIPS!
     
  10. Elzerk

    Elzerk 00111100 00110011 VIP Junglist

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    I pick up pieces of pelican shit.
     
  11. RevTech

    RevTech Butthole=output transduce VIP Junglist

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    Duplicate, highpass at 4k or so so just sizzle, color it a bit, put chorus, put back in

    adding a bit of a predelay to a reverb brings it "closer to the wall", diffusion makes the high and low frequencies decay differently. try compressing the early reflections

    have the effects added be added for emotions

    to set limiter's release put the threshhold really down and mess with the timing

    put predelay to quarternote
     
  12. W3st

    W3st Unsigned DnB Producer

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    this.... is magical, i like you, i really do pal!!! :)))
     
  13. Nydus

    Nydus All in the sig.

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    Well done for trying to help people but some of these tips are rather misleading & will only be effective if you're going for THAT sound.
    A brief explanation of why the technique may be useful would benefit people better.
     
  14. RevTech

    RevTech Butthole=output transduce VIP Junglist

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    I wrote these down for myself to remember them and I just felt like sharing so that would explain it but thanks you for pointing that out! Certain things in here are simply production techniques that can be used, who cares if your pre delay is set to a quarter note, it has to sound good in the end