- Joined
- Aug 27, 2008
BREAK - LIGHT SPEED
- Thread starter *Chloe
- Start date
- Joined
- Apr 28, 2007
i wont and me too
- Joined
- Jan 21, 2008
- Location
- your face.
You can't use seriay in this way.
- Joined
- Apr 28, 2007
- Joined
- Jan 21, 2008
- Location
- your face.
- Joined
- Aug 14, 2007
this this this
Niceneasyuk
Member
- Joined
- Jan 14, 2009
- Location
- Nottingham
Sick beat, love the quality 
. I love Jump up as much as break, but break seems to edge over on the 'real song' feel. Jump up artists seem to have a more laid out formula!. peace
. I love Jump up as much as break, but break seems to edge over on the 'real song' feel. Jump up artists seem to have a more laid out formula!. peace
- Joined
- May 5, 2007
- Location
- London, Kent
this for me is the best track off the album and cant see how it didnt make 12"???>..bassline just rolls ity out, no other producer would of been able to produce a b- line without drowning the tune... talent!!!!!!!!!!!
the reason for that, the dude is ultra talented without acting like a cunt about it. 50 - 60%? what? have you seen how many tracks hes made? hundreds mate. hes a machine. there arnt any jump producers who can touch this level of production at all
- Joined
- Jan 31, 2008
tune.
my fav at the mo has to be....Dj Die 'Clear Skies' (Break rmx)
the man is on fire!
my fav at the mo has to be....Dj Die 'Clear Skies' (Break rmx)
the man is on fire!
- Joined
- Feb 26, 2004
- Location
- Birmingham, UK
Break has his style and technique down absolutely tightly, yet he can still be varied around his groove. Light Speed is a good example of this - a more mellow, melodic piece with sweeping pads and vocal samples, yet his tight syncopated beats and lovely layering of percussion are still there, just a bit further back in the mix to let the instrumental elements come to the fore.
His dirty subbass is there too
Consider this - when Break was first discovered, he was mixing down his tunes on plain old speakers with broken cones, and they STILL sounded fucking good. I'd like to see most jumpup producers produce sick mixdowns with knackered speakers.
A lot of jumpup I hear I hate because it's just so repetitive without any kind of variation whatsoever - at least people like Hazard will subtly vary their tracks as they progress, most jumpup tunes are just two bars repeated, a switched up bassline for the last two bars of each sequence and then they just repeat until the breakdown and the second drop (at which point you have more of the same). That to me is far more boring than an hour of tunes from someone like Break.
Of course though, this is the Internet, so who cares
- Joined
- Aug 27, 2008
Break has his style and technique down absolutely tightly, yet he can still be varied around his groove. Light Speed is a good example of this - a more mellow, melodic piece with sweeping pads and vocal samples, yet his tight syncopated beats and lovely layering of percussion are still there, just a bit further back in the mix to let the instrumental elements come to the fore.
His dirty subbass is there too
Consider this - when Break was first discovered, he was mixing down his tunes on plain old speakers with broken cones, and they STILL sounded fucking good. I'd like to see most jumpup producers produce sick mixdowns with knackered speakers.
A lot of jumpup I hear I hate because it's just so repetitive without any kind of variation whatsoever - at least people like Hazard will subtly vary their tracks as they progress, most jumpup tunes are just two bars repeated, a switched up bassline for the last two bars of each sequence and then they just repeat until the breakdown and the second drop (at which point you have more of the same). That to me is far more boring than an hour of tunes from someone like Break.
Of course though, this is the Internet, so who cares
you my man, are a legend.
- Joined
- Aug 27, 2008
- Joined
- May 21, 2007
- Location
- Hornchurch
best producer in the game today?
think you'd find it harder to name anyone who consistantly produces track after glistening track, of pure, clean, raw drum driven bass bliss, that's abrasive yet sublime at the same time, than break.
break = the don dapper dan.
think you'd find it harder to name anyone who consistantly produces track after glistening track, of pure, clean, raw drum driven bass bliss, that's abrasive yet sublime at the same time, than break.
break = the don dapper dan.
- Joined
- May 30, 2007
- Location
- Leeds / Brighton
Who else could remix a classic like Bambaata, yes BAMBAATA and make it sound amazing. Break is drums and bass. Head and shoulders above most.
GiDriK
Lost in jungle
- Joined
- Apr 17, 2008
- Location
- Tallinn, Estonia
love it, wickid bass tuu Tuuu tUUU TUUUU
And the drums are sick, absolute killa track.
And the drums are sick, absolute killa track.
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