Chop up your break, make each sample unique, process individually, bus to single channel, process all at once, automate filters and effects, boomting! You've got yourself a proppa amen tearout an ting init!
A few things I like to do:
- Make a new copy of your break, send to its own channel and then bus that to the main breaks channel. Add HP and delay, only play like a single snare hit of it near the end of your 8 or 16 bars or wherever you feel like dubbing shit up a little, cut the other drums or low pass them back in.
- "Fake" delays by repeating a certain phrase from your break while applying more and more low pass (or high pass).
- "Fake" a reverse delay by doing the same thing, but opening the low pass (or high pass).
- Apply a little high pass with little to no knee and add a flanger for those warping beats (Again; use this occasionally and dynamically - in other words musically, don't flang the fuck out of your breaks through the whole tune, it's going to sound really crap.)
- Make a unique snare hit with a little delay and a big verb on it, chuck this in instead of the last snare before a breakdown or wherever it fits in to create massive atmosphere, experiment with a compressor after the verb to make the tail nice and long and audible, fade in some kind of atmospheric sound as it disappears and you've got yourself an interesting soundscape right there.
- Low pass your break, then layer another high passed break over it for interesting hats and rides and things.
Experiment, use plugins like stutter edit and things occasionally, in between the "manual" choppage and you'll sound a little more pro because it will be harder to make out what trick you've pulled on each edit.