Psy Klone
SLC Drum and Bass
- Joined
- Aug 15, 2002
- Location
- The Projects
Twiddles- eh, as long as I'm busting the technique I couldn't give two shits, nah mean?
True, and to be able to vary the rythym and the speed is a pain in the ass. I mean, it's simple to do just the plain old lazers, but to be able to incorporate them into a pattern is some skilled shit indeed. You know what's a fun one to try? Execute an Uzi into a lazer back into an uzi and right back to the lazer, only each time, vary the rythym of the uzis and the speed of the lazers. It takes a bit to get down, but it sownds cool whe you go off into open fader madness.
Theres this one open fasder techinque I do that I think I'll share (I'll post audio when I can ):
When using the the "ahhh" sample, do a couple lazers, and make sure the second lazer makes the record move forward. As soon as you let the lazer go, pat the record 4-6 times as it fades, making it wobble, kinda making your fingers pull it back, but letting it move farther forward than backward when you let go of it(it should make an orbit-like sound fading out). Then do the exact opposite when you can barely hear the sample so it fades back in, and the bust right back into some more open fader techniques (I prefer uziz, then I stat transformers and so on...). It's good to turn the low EQ down so you hear no thumps, but you prolly already knew that
EZ
-Paul
True, and to be able to vary the rythym and the speed is a pain in the ass. I mean, it's simple to do just the plain old lazers, but to be able to incorporate them into a pattern is some skilled shit indeed. You know what's a fun one to try? Execute an Uzi into a lazer back into an uzi and right back to the lazer, only each time, vary the rythym of the uzis and the speed of the lazers. It takes a bit to get down, but it sownds cool whe you go off into open fader madness.
Theres this one open fasder techinque I do that I think I'll share (I'll post audio when I can ):
When using the the "ahhh" sample, do a couple lazers, and make sure the second lazer makes the record move forward. As soon as you let the lazer go, pat the record 4-6 times as it fades, making it wobble, kinda making your fingers pull it back, but letting it move farther forward than backward when you let go of it(it should make an orbit-like sound fading out). Then do the exact opposite when you can barely hear the sample so it fades back in, and the bust right back into some more open fader techniques (I prefer uziz, then I stat transformers and so on...). It's good to turn the low EQ down so you hear no thumps, but you prolly already knew that
EZ
-Paul