HE'S USING HARDWARE DON'T YOU KNOW
Yes. kangaroo is awesome. theres so much movement in that wt position.
Yep it also makes a nice crunchy reece http://www.mediafire.com/listen/qqap31p57rc0fk9/BL2.wav
Guessing that's 3 oscilators? or Layering instances of Massive?
ever heard of the term layering?
just sub and highs for the crunchyness. scooped to no mids give it that dirty sound
Can anyone tell me what Kove does in this awesome track with his bass? (starting at 1:05). I feel like there is hundreds of videos on reese bass and stuff like that, but how do I make a deep rolling bass like Kove does? Is this just a distorted sine with lfo on? How does he make it sound so fucking rich? When the track "drops" it feels like a huge wave of sound hitting me on every frequency. When I play a sub bass and a second sine wave one octave above that it doesn't sound anything like it, way weaker...
Can anyone help me out?
Best things that I have learnt about bassline is to use separate tracks for sub (20-80hz) and for the reese. The best way to make a good reese is not about any specific VST nor the technique. It's about reprocessing the sound to meet your requirements. For example resampling or adding some efx (flanger, chorus, phaser, effetrix)
Hope that helps somebody
I absolutely agree man! But the thing with the sub. i also often do this, but sometimes it feels for me that it's not necessary, because some bass sounds (reece, harmonic, whatever) have a really clear an nice sub bass. So for me it feels that's not necessary to put a sine sub beneath it. Does anyone agree?