yeah man, it is well documented that I was not a fan of how Playaz was doing the vinyl thing for a bit there - they basically rubbished the whole vinyl industry publicly, then put up a 'pre-order' of one of their releases can't remember which one) via Chemical and Redeye and used the lack of sales of it as more ammunition to do more public sledging of the industry (which is bullshit as not many vinyl buyers pre-order anything apart from very special releases anymore). A few of us (including myself) suggested they do a pre-order system to test the viability of pressing a release, which they did for Time Trippping / Bumble Bee's, which was a resounding success (as far as I am aware). Off the back of that they pressed the Never The Same EP, which seemed to do pretty well, and then all of a sudden pressed that Original Sin 12" (which I thought was a bit average at best, considering they didn't choose the right tunes off the EP for it IMO), and it sold as I would have expected (poorly) - then they were back to publicly rubbishing the vinyl scene again.
I just got the feeling from them that they almost wanted it to fail, so then they could publicly mock it all and have an excuse to not bother pressing any more releases. When Hype made the announcement that he was changing to Traktor the whole label just seemed to have turned their back on an industry that they had been a huge part of for so many years.
Lately they seem to be a lot more positive towards it, which is great. I think labels should be very appreciative towards those of us who are prepared to shell out good money for their releases on vinyl, especially with the rife nature of digital sharing and throw-away nature of a lot of music these days.