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    Monitoring and mixing down

    I have recently got some Yahmaha hs-80's and a Focusrite interface. The settings of the speaker are pristine, suiting the needs of my room, space and dimensions. I am now wondering on the interface, what volume should i crank the nob up? What are the ideal levels for monitoring and mixing down, loud? Low? Any advice because i am not too sure? Thanks.

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    Drum & Bass Forum Prideinyouride's Avatar
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    I've heard from a few people is the final mix down should be done at low levels and just get everything sounding right. One of them has been producing and sound engineering for 10+ years so I'll go with what he says.

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    Re: Monitoring and mixing down

    Mixdowns should be kept at around -3 to -6 dbs, giving you enough headroom for mastering.

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    Re: Monitoring and mixing down

    so basically turn the volume on the interface right down yes? Thanks

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    Re: Monitoring and mixing down

    no not your interface, in your daw


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    Re: Monitoring and mixing down

    In my daw it's on the normal 0? What settings shall i have my Interface volume knob on or are you saying i should turn the master in logic right down making everything sound minuscule? :s

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    Re: Monitoring and mixing down

    Mixdowns should be kept at around -3 to -6 dbs, giving you enough headroom for mastering.
    I was saying in reference to this, mixdown with the interface volume at whatever you like....

    but make sure in ur db as quoted above it isnt pushing past -3 , altho if im just exporting to play a tune out a clipping of a couple of db's seems to be fine for me, i would abide by these rules if i was to get my tune mastered.


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    Re: Monitoring and mixing down

    How loud do you listen to your TV? You're basically asking the same question :/ The interface does not matter one single bit as said above
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    Re: Monitoring and mixing down

    What I'm tryna say is that my monitors are set at the right volume levels according to my room settings and dimensions. It is then connected to my interface so that it can connect my monitors to my laptop so i can play my work obviously.. I'm saying when playing back music to mix down, the interface controls the volume... it can be low, or high according to how much i adjust the volume knob. I am saying should i be mixing down on a high volume? Or a low volume. Thankfully that has been answered.

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    Re: Monitoring and mixing down

    @ OP, what are these settings you have applied to your speakers in order to compensate for irregularities within the room?

    In regards to monitoring, there is no specific volume like someone above said. Just turn your speakers up/down until you feel comfortable, if you've got it ridiculously low/high you're not going to be able to make accurate decisions.

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    Re: Monitoring and mixing down

    Quote Originally Posted by Tad. View Post
    Mixdowns should be kept at around -3 to -6 dbs, giving you enough headroom for mastering.
    that is cancer of 95 percent of amateur dnb producers

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    Re: Monitoring and mixing down

    I was always told that its best to monitor at a sensible volume initially and then turn it up a little at the end to listen to your changes back... seems to work for me.
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    Re: Monitoring and mixing down

    The best thing to do is first contact the mastering house that's going to master the final mix and ask them what amount of dB headroom they prefer (it can vary anywhere between -12dB and -6dB).**

    Once you get that value, the key is to turn down your DAW channel volume faders to null and set you monitors and/or headphones to a level that is louder than usual. The goal is to mix your tune at low levels within the DAW and compensate for the low volume by having your monitors and/or headphones extra loud. This will prevent the urge to riding the DAW volume faders to hard because a channel doesn't "sound loud enough."

    **In the event your wondering why headroom is essential, the follow is copied from another post I contributed to:

    Do not aim for 0dB. The goal is to allow for anywhere between -6dB and -12dB (depending upon the specs per mastering house). The reason for this is that the hardware used for mastering (as well as higher end mastering plugins that emulate hardware like waves & ozone) are expecting a signal with a good amount of headroom so it can work it's magic. If you send a track that is already hot, the end product will suffer a great deal because you're already well above the signal the hardware is expecting to receive. For example, try adding a mastering plugin (like Logic's AdLimiter) or an instance of Ozone on your master out with your peak signal around 0 before applying the mastering plugs. Then, do the same with your peak signal around -6 – -9 dB. You'll immediately notice the difference in sound.

    Personally, I use KMeter, it was developed by Mastering God Bob Katz and will help aid your mixes in finding the "sweet spot" of headroom for premastering. For $50, it's the best metering tool around IMO.

    Cheers.

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    Re: Monitoring and mixing down

    Quote Originally Posted by MistaBossman View Post
    so basically turn the volume on the interface right down yes? Thanks
    Yes mixdown at low volumes on your amp & interface, refrence it louder as you go along, but not for to long or your ears will adjust and distort your perception of the mix @ quieter levels for upto 30mins

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    Re: Monitoring and mixing down

    Quote Originally Posted by MistaBossman View Post
    What I'm tryna say is that my monitors are set at the right volume levels according to my room settings and dimensions. It is then connected to my interface so that it can connect my monitors to my laptop so i can play my work obviously.. I'm saying when playing back music to mix down, the interface controls the volume... it can be low, or high according to how much i adjust the volume knob. I am saying should i be mixing down on a high volume? Or a low volume. Thankfully that has been answered.
    Apologies, I misunderstood. When I do mix downs I listen at various different volumes and various speakers. Take notes at each different stage, leave it a day, come back again and see if the same applies. Listen in your car as well if you drive, I know my car speakers inside out so can tell immediately if something is wrong. HTH
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